The present exhibition is an occasion to see the paintings of three artists who have created their works from three different perspectives, in terms of form and content. The significance of coincidence and attainment of an external order, as well as the connection between singular occurrences with some level of awareness while adapting a visual order through the collision of techniques are the characteristics of Hossein Cheraghchi’s work. It follows the principle of organizing the canvas in the lasting legacy of surrealistic art in order to possibly achieve a mental and visual automation; a mechanism that results in abstract romanticism. Abstraction in his work has a direct connection with his living environment, the walls, the city and their geographic texture. 

Hossein Cheraghchi

Havar Amini chooses the subject of his paintings from the current turmoil in the unequal legal and regional conditions; a situation where internalizing the reality and pulling out the signs of this inequality give them a strange and melancholy nature. His works are a protest against the twisted knot that symbolizes the political and cultural order taking place today in the region and the world. He attempts to display his encounter with the problem in terms of contemporary aesthetics that have their roots in the post-modern art.

Hawar Amini

Shaho Babaie makes symbolic images in the realm of his affinity with Khayyam’s worldview. Jars and jugs are the ancient graphic symbols in Khayyam’s poetry, and they are the objects within which Babaie experiences painting. The subjects of his paintings are still life which have become the graphic symbols of the concept of uncertainty in Khayyam’s view of the world, in turn, a notion that engulfs a great section of modern and contemporary life and art.

Shahoo Babaie