The written abstract collection was formed based on the connection of old lines and the combination of colors in an abstract background by removing and bringing the border of colors closer. The first lines were in a way thinkers and with the passage of time and moving towards transliteration and alphabetization, were able to help record the language in the context of writing through calligraphy better. It should be mentioned that Iran and many countries in the Middle East have a long history in the field of calligraphy, its invention and change. In Farnaz Rezaei's collection, the old lines with intermingling are a sign of the combination of meaning and its abstraction, as if the language in its oral expression has a different syntax from the written expression, and the written expression requires a change in the syntax of colors, lines and combinations to create aesthetic forms. The combination of calligraphy and painting in the written abstract collection shows the inseparable connection between the two: the first lines used their shapes and roles to express thought, and in this collection as well, the expression of thought with the base of line has moved towards a type of abstraction that is due to the discovery of complex abstract relationships that are in the real scene and the background of nature.