Farkhondeh Shahroudi: of weeping trees showcases new and older works ranging in media including drawing, video, sculpture, textiles, artist books, and more across nearly 30 years of Shahroudi's practice. Evoking and reframing colonial materials and motifs such as rubber and the so-called "Oriental" rug respectively, the title of this exhibition calls forth reoccurring themes present in the artist's oeuvre such as identity, language, family, and psychology.

In her practice, Shahroudi inhabits the space between, around, and beyond language. Taking up the tradition of automatic writing, she inhabits inclusion through her process of painting her mother tongue Farsi with her dominant right hand, and distancing herself from German, deliberately slowed down by writing with her left hand. Understanding all her work as three-dimensionally materialized poems, Shahroudi abstains from explicitly recounting the history of her migration from Iran to Germany in 1990, where she has lived ever since. Rather, memory, in her work, operates as a more subtle thread weaving between the political and a childlike coyness. Playfully integrating language constructions containing simultaneous elements of absurdist humor and moments of grief, Shahroudi invites us to come up with our own associations; akin to providing us with a tool – much like a tuning fork – that enables us to listen to the echoes of a multiple present.