The represented works have been formed in geometric and abstract spaces. However, the general outlines of the surfaces somehow evoke of a vague human body. The geomertic structure of the works dictates to observers the machinism and a human being with an engineered character.
The rational pattern that subjected the being of mankind of its own and renders him a simple, bare entity without any complexity. The stagnation of works, which is realized by means of surface concentration in the middle zone of the works, itself emphasizes the freeziness of human rationality and present him as an inert entity; The occurance in form of texture emphasizes the sensitivity of the surfaces, are entangled in the wall of the surfaces and with its variaety of colors and tonality set the the ground for connecting the figuers with the atmospher of the works. The painting's sense of works is due to the selection of divergent colors and their relation to random textures and the form of surfaces are the painter's challenges to arrive in a situation which is abstract and surely geometric, which seem to seek its ultimate goal in the unity of these distinct and divergent elements.