The technology-structure, the influx of information, and contract life has convinced us that living is nothing but believing in these contracts. These are the contracts that go in favor of any kind of power in this cycle and make life difficult. Thus living loses its uniqueness to everyone and becomes a walk to the edge of truth and permissibility, hope and despair, death, and life.

 In today's manipulated life where images can easily create irreparable dimensions from a reality, Sarah Sasani has tried to portray the truth under the skin of society by manipulating reality;  Dark with bright colors, death at the same time life.

Like her previous collections, "Destruction" in 2016, "Death of Female" in 2017, and "We Are Noticed Too Late" in 2019, she tells the story of women who, in a slow struggle to find modernity in Middle Eastern women's traditions, want to transcend common female stereotypes but stand.  They are buried.

In the collection of "Monotony" photographs, the artist are lost in the search for a hope that has robbed the man / woman of the meaning of life of today and drowned him in the necessary clichés of life - suffering hidden in death or suffering hidden in living - where air is the essence  It loses its vitality, water becomes a matter of life, money seeks to maintain no economic cycle and only soil remains - the soil of the acceptor - and it seems to be a confrontation of a historical question: "Is life meaningful?"  

 Dr. Esha Sadr

Interdisciplinary artist / Washington DC August 2020