Sima Novin, despite her inclination towards abstraction, occupies a space between abstract and figurative painting. 

In this exhibition, which represents a period of her work, the intensity of the pieces arises not only from the artist's fluctuation between abstraction and realism, but also from the expression of her personal and existential tensions. Flowers, bushes, skies, clouds, rivers, and rocks appear and vanish repeatedly, reflecting the artist's lived experiences.

However, ultimately, the exhibition *Nature's Mania* is not social art; rather, it is poetic painting during a time of hardship—a hardship that manifests as a persistent wind, sometimes igniting relentless fires within the artist's abstracted nature.

In this series, Sima Novin appears to untangle the paradoxes drawn from her own life experiences, weaving them into the dualities of abstraction and nature, anger and calm, love and distrust. It is through this perspective that she depicts the relentless force of nature, which, with its beauty, can both envelop and consume humans in its depths.