The analysis of anti-rhythmic structures within the geometry of creation reveals a fascinating discourse between order and chaos in existence. In nature and mathematical forms, we often encounter rhythmic patterns that symbolize harmony and balance. Wherever fractal geometry suffers a glitch in its evolutionary path, this orderly whole is chaotic but still continues on its fractal path. Based on the Glitch Manifesto of Pixel Language, we are looking for semantic and aesthetic readings of the three elements of disintegration, discontinuity and destruction in the order of geometry. We are real fractals created by generator codes and even repeating images. The sequence and rhythmic alternation in the visual elements are the parts that make up the formic whole. On the other hand, opposing it is another destination for the same path. The concept of anti-rhythm challenges these conventions and reveals the beauty of asymmetry and deviation. The geometry and dimensions of the fractal fraction, with its infinite complexity and self-similar patterns, emerge as a reflection of this phenomenon. Fractions in Dimensional Structure show how irregular shapes can coexist with traditional geometric forms and transform our understanding of creation itself. Anti-rhythmic elements appear unexpectedly and non-linearly in these structures and force us to think more deeply about reality and existence. In examining the geometry of creation from this perspective, we find that anti-rhythmic structures are an integral part of the theropod of life and embody the dynamic interaction and dynamic element in the fractal.